FALLEN by Lauren Kate (Delacorte Books for Young Readers, 2009)
GENRE: Paranormal Romance
AGE: 13 and up
Every once and awhile, an extraordinary book comes along, one that breaks new ground, re-envisioning tropes long since tapped dry and changing the landscape of a genre. Fallen is not one of those books.
Stomping over the ground Stephanie Meyers cleared with Twlight, Fallen is the story of seventeen-year-old Luce, sentenced to reform school after a boy she likes dies in a fire. Less than 24 hours after arriving at Sword & Cross, she is already torn between two preternaturally hot guys - smooth, sweet Cam, and moody, GORGEOUS Daniel (forgive the caps, but it was the only way to communicate the degree to which Luce lingers, in Bella Swan style, on Daniel's rippling perfection). Though Luce herself is anxious, socially weak and easily cowed (not a fantastic role-model), she finds herself in the middle of an enviable love-triangle, but though Cam is tempting, she is overwhelmed by her attraction to Daniel, who is, of course, beyond hostile so that he might protect Luce from their epically shared past.
Hindered dramatically by an enormous amount of interruptive, repetitious description, (most readers don't need multiple reminders that something happened just pages before), Fallen is much longer than the slender narrative requires. Though the concept compelling enough, one gets the sense that Kate didn't make the most of her material - there is very little in Fallen that doesn't directly mirror some aspect of Twilight, from lingering love-sick descriptions to the fact that Daniel, once his love is declared, makes huge sweeping decisions for Luce while she gratefully accepts. Though the climax is action-packed and exciting, the romance between Daniel and Luce never takes off - a frustration given the amount of time Kate spends trying to convince readers of it's gravity. Many loose ends, such as why angels are at a reform school to begin with, are left hanging, presumably to be answered in the sequel.
All of that said, Fallen does move, and though there are a shocking number of eye-rolling moments, the basic elements work well enough to give the story a certain appeal. Bella and Edward... pardon me - Luce and Daniel... might be little more than cardboard on the page, but the pages do turn, thanks mostly to the unanswered questions scattered throughout the book. Fallen, though weak in its own right, may prove to be the start of a strong, compelling series. If nothing else, its popularity is testament to the fact that people are reading and loving it, if only to get a Twlight-esque fix.
Showing posts with label paranormal romance. Show all posts
Showing posts with label paranormal romance. Show all posts
September 5, 2012
August 28, 2012
Teeth: Vampire Tales
TEETH: Vampire Tales edited by Ellen Datlow and Terri Windling, (Harper, 2011)
GENRE: Short Stories / Vampires in Multiple Genres
As with all of their anthologies, Ellen Datlow and Terri Windling have put together a formidable collection, this time on the now ubiquitous subject of... Vampires. What more could there be to say, one might ask? Windlow and Datlow answer this question with a surprisingly scholarly, yet undeniably compelling "well, quite a lot".
The collection's introduction is written in Datlow and Windling's trademark voice - earnest, accessible, in touch - and yet, they concisely cover the multi-cultural history of vampire literature in a matter of pages, giving the reader (whom both the editors and authors do not coddle) the background needed to fully appreciate the layered aspects of the stories that follow. That said, some of the stories, though beautifully written, lack a certain bite (please forgive the pun). Elegant though it is, Tanith Lee's "Why Light? " trods well-trodden ground, while Ellen Kushner's "History" takes a potentially interesting premise down a disappointing, anticlimactic road. That said, there are gems of inventive beauty in here too - most notably Catherynne M. Valente's "In the Future When All's Well", a 1st person account of life after humans begin to spontaneously turn (the language, characterization and society are subtly addictive), while the collaborative efforts of Holly Black and Cassandra Clare make "The Perfect Dinner Party" by turns hilarious, shocking and grim as they take the child vampire trope to an entirely new place.
These two stories alone are worth the price of the collection, though none of the tales disappoint. With substance, intelligence and snap, these stories ask the reader to look beyond tortured anti-heroes and the mortal women who love them, and to once again consider the real strength of the vampire in literature as a metaphor for the moral tangle of ourselves and our society.
GENRE: Short Stories / Vampires in Multiple Genres
As with all of their anthologies, Ellen Datlow and Terri Windling have put together a formidable collection, this time on the now ubiquitous subject of... Vampires. What more could there be to say, one might ask? Windlow and Datlow answer this question with a surprisingly scholarly, yet undeniably compelling "well, quite a lot".
The collection's introduction is written in Datlow and Windling's trademark voice - earnest, accessible, in touch - and yet, they concisely cover the multi-cultural history of vampire literature in a matter of pages, giving the reader (whom both the editors and authors do not coddle) the background needed to fully appreciate the layered aspects of the stories that follow. That said, some of the stories, though beautifully written, lack a certain bite (please forgive the pun). Elegant though it is, Tanith Lee's "Why Light? " trods well-trodden ground, while Ellen Kushner's "History" takes a potentially interesting premise down a disappointing, anticlimactic road. That said, there are gems of inventive beauty in here too - most notably Catherynne M. Valente's "In the Future When All's Well", a 1st person account of life after humans begin to spontaneously turn (the language, characterization and society are subtly addictive), while the collaborative efforts of Holly Black and Cassandra Clare make "The Perfect Dinner Party" by turns hilarious, shocking and grim as they take the child vampire trope to an entirely new place.
These two stories alone are worth the price of the collection, though none of the tales disappoint. With substance, intelligence and snap, these stories ask the reader to look beyond tortured anti-heroes and the mortal women who love them, and to once again consider the real strength of the vampire in literature as a metaphor for the moral tangle of ourselves and our society.
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